Music also got me friends before I hit my teens. Friends with whom LPs were exchanged and much time spent listening together. These friends stayed and conversations with them to this day gravitate to music. Those days if there was talk, it had to be music trivia. By the mid teens, we had to know all the facts. Like Joni Mitchell wrote Woodstock and also illustrated the jacket of CSNY's So Far, the album with their cover of her song. We collected rare LP s. A friend had a Blue Album that George Harrison had autographed, with a large Om below the signature. That was worth a million, it still must be. Am sure SG has kept that. Would like a selfie with it someday!
The stereo and turn-table were important possessions. Cosmic was an expensive brand. Sonodyne was cool to have. Both were Indian and produced the decibels you needed to deliver to your neighbours. Phillips was a tad inferior. Of course the more resourceful ones had Sansuis, Sonys and Akais. Few, whose fathers globe-trotted, had spool decks and fancier stuff. Cassettes came later and were difficult to manage. They somehow became mainstay despite the tendency to get flicked (a word in our dictionary then, for stolen) easily and the regular watch one had to keep against humidity and fungus attacks. By the time we were leaving school, CDs had appeared and were aspirational. My first one was a gift from my sister, a collection of Brahms produced by Polydor for the Festival of the USSR in India, in the mid-eighties.
Then, there was music one could select and curate from rare LPs in Calcutta. Piracy in today's language. I remember buying my first collection of John Mayall, Robert Cray and other British blues artists from AC Market on Theatre Road, circa, 84/85. They would let you select songs from LPs. BASF was known for the best blank tapes, next was TDK. The quality of the recordings were good.
One thing though. I bothered less for the lyrics and more for the music. It had to sound good to the ear. I was probably slow. I sometimes couldn’t fathom the lines, but that did not matter. The music just had to be rich: the vocals, the instrumentals, the composition. And so the love for all the Jobim, Gilberto, Joao Bosco, Pavarotti and Placidos of the world. Closer to home, Mehdi Hassan remains to be comprehended to this day, i.e., Mir or the others whose ghazals he sang. At home there was one LP I loved of Rafi and Begum Akhtar. A classic, specially the mellow and glorious Urdu of Kaifi Azmi between the songs, narrating as Ghalib in 1st person the events of 1857.
And so it stayed that I never got past the first 10 seconds of Bob Dylan, read his off-putting nasal whine. I still struggle.
Therefore here’s also a belated toast to Robert Allan Zimmerman and fans of his I know who have loved him a 100% in spite of his nasal whine. @Shouvik Gangopadhyay, @Bhaskar Khaund, @Sandeep Talwar: wherever you are, you probably rejoiced his Nobel and it is most deserved. I raise my glass to your (our) laureate!